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Chaises en plastique moulé Eames® (DSW)

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Cet article est disponible en magasin uniquement ! Nous ne pouvons pas l'expédier.

Conçu par Charles et Ray Eames pour Herman Miller .

Charles et Ray Eames étaient convaincus que « le design est une méthode d'action » et ils ont continuellement amélioré leur travail au fur et à mesure que de nouveaux matériaux devenaient disponibles. Leurs chaises en plastique moulé, initialement conçues en métal, ont été présentées comme prototypes au Concours international de design de mobilier à bas prix du MoMA en 1948. Ils ont ensuite opté pour la fibre de verre en 1950, et aujourd'hui, les chaises sont fabriquées en polypropylène recyclable. Charles n'était pas satisfait de la fibre de verre, et ce n'est qu'après sa mort que la finition mate qu'il souhaitait a été obtenue, grâce aux progrès des matériaux. « La chaise que Charles et Ray concevaient », explique son petit-fils Eames Demetrios, « est la chaise qui a été fabriquée. Demain . » L'assise profonde et le bord en cascade assurent votre confort en réduisant la pression à l'arrière des cuisses. Il s'agit d'une chaise authentique signée Herman Miller® , Inc. Eames est une marque déposée d'Herman Miller. Fabriqué aux États-Unis.

  • DSW signifie chaise d'appoint de hauteur de salle à manger avec base en bois.
  • 31,75" H x 18" L x 21" P; Hauteur du siège 17,25"
  • Base en noyer avec goujon, finition noire

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      Mid-Century Architecture

      Mid-Century Architecture

      Phoenix Art Museum, both as an institution and a structure, has evolved through distinct expansions over more than half a century. Initially designed in the 1950s by Frank Lloyd Wright apprentices Alden B. Dow and Blaine Drake, the museum was completed in 1959 as part of the Phoenix Civic Center complex. This complex also included the Phoenix Little Theater and the Phoenix Central Public Library.

      Situated at the northeast corner of Central Avenue—Phoenix’s primary north-south thoroughfare—and McDowell Road, the Civic Center originally featured three low, horizontally oriented, stucco-clad modern buildings, each dedicated to one of the institutions. These buildings were interconnected by ramadas and surrounded by landscaped courtyards. The main structures formed a large central courtyard, with the library positioned on the southern side along McDowell Road, the art museum to the northwest along Central Avenue, and the theater to the northeast at the rear of the site.

      Phoenix Art Museum, both as an institution and a structure, has evolved through distinct expansions over more than half a century. Initially designed in the 1950s by Frank Lloyd Wright apprentices Alden B. Dow and Blaine Drake, the museum was completed in 1959 as part of the Phoenix Civic Center complex. This complex also included the Phoenix Little Theater and the Phoenix Central Public Library.

      Situated at the northeast corner of Central Avenue—Phoenix’s primary north-south thoroughfare—and McDowell Road, the Civic Center originally featured three low, horizontally oriented, stucco-clad modern buildings, each dedicated to one of the institutions. These buildings were interconnected by ramadas and surrounded by landscaped courtyards. The main structures formed a large central courtyard, with the library positioned on the southern side along McDowell Road, the art museum to the northwest along Central Avenue, and the theater to the northeast at the rear of the site.

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